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Barbara Dickson Another Suitcase in Another Hall

Barbara Dickson Another Suitcase in Another Hall

1977 unmarried by Barbara Dickson

"Another Suitcase in Another Hall"
Barbara Dickson ASIAH.jpg
Single by Barbara Dickson
from the album Evita
B-side "Requiem for Evita"
Released vii February 1977
Recorded 1976
Genre Pop
Length two:45
Characterization MCA
Composer(s) Andrew Lloyd Webber
Lyricist(s) Tim Rice
Producer(s) Andrew Lloyd Webber
Barbara Dickson singles chronology
"Out of Love with Beloved"
(1976) 		"Another Suitcase in Another Hall"
(1977) 		"Lover's Serenade"
(1977)

"Some other Suitcase in Another Hall" is a song recorded by Scottish singer Barbara Dickson, for the 1976 concept album, Evita , the ground of the musical of the same name. The musical was based on the life of Argentinian leader Eva Perón. Written past Tim Rice and Andrew Lloyd Webber, the vocal is presented during a sequence where Eva throws her husband'southward mistress out on the streets. The latter sings the track, wondering almost her future and coming to the determination that she would be fine. Dickson was enlisted by the songwriters to record the runway subsequently hearing her previous piece of work.

Rice and Webber asked her to record the song using a higher than usual pitch, and then that she sounded younger like her grapheme. Featuring instrumentation from guitar, marimba, harp and keyboard, "Another Suitcase in Another Hall" finds Dickson singing in a soprano voice. Critically appreciated, the song was released every bit a single on vii February 1977, and reached number 18 on the UK Singles Chart. Dickson has stated that she did not like her recorded version of the track and employed a different arrangement during her futurity live renditions.

The vocal has been covered and performed many times by other artists, namely Elaine Paige, Marti Webb, Kimberley Walsh from British girl group Girls Aloud, as well equally extra Samantha Barks. Another notable version was recorded by American singer Madonna who played the part of Eva for the 1996 film adaptation of the musical. It was released on 3 March 1997, by Warner Bros. as the third and last single from the picture's soundtrack. Unlike the musical, in the picture show the track was sung by Madonna's grapheme instead of the mistress. Upon its release, the vocal garnered positive response from music critics and reached the elevation-x of the charts in Italy and the Uk.

Groundwork and recording [ edit ]

"Another Suitcase in Another Hall" was written by Andrew Lloyd Webber and Tim Rice while they were developing the Evita concept album in 1976. Both were extremely intrigued by the stories surrounding the life of Eva Perón while researching nigh her during the mid-1970s. They came to know about her hubby Juan Perón, and his affinity for young women, and Rice and Webber decided to use it equally one of the backstories behind Eva and Juan'southward rising to power. [1] The song is performed by the graphic symbol of Juan's teenage mistress after she is "kicked out" by his hereafter wife, Eva. [two] Co-ordinate to director Michael Grandage, the story took the "edge off" a supposed fairy tale like estimation of Eva and Juan, unveiling their ambitions and cutting-pharynx personality. From a production point-of-view, it likewise allowed Grandage to show ruthlessness of Eva, when Juan allows her to throw his "mistress" abroad. The girl is ultimately left on the streets with nowhere to get, and there she sings the song. [1]

It is a particularly poignant tune that should play with an audition's emotions. The mistress clearly knew what she was doing sleeping with an older man, and yet at that place is something expletive well-nigh it as well. Eva'due south bitchiness should be enjoyed by an audience, but they should also exist investing in the plight of a immature girl'south eviction. The narrative of this department is then well structured that it is obvious the journey of the mistress is complete by her exit. This allows the audition to invest in a unmarried moment while also learning more about Eva and Peron's character as they motion forwards in the story. [1]

The vocal was kickoff recorded by singer Barbara Dickson in 1976 for the Evita concept anthology that eventually became the phase musical. [three] Rice and Webber had already enlisted actress Julie Covington to sing the office of Eva, hence they were on the expect-out for other supporting vocal personnel.[ contradictory ] They found about Dickson who had recently starred in the Willy Russell musical, John, Paul, George, Ringo ... and Bert , and had charted on the UK Singles Chart with her cover version of the David Whitfield and Frankie Laine song, "Answer Me" (1976). Dickson and her manager, Bernard Theobald, had a discussion with Rice and Webber near starring in the musical, just her vox was declared "too delicate" for singing the numbers on Evita. So they offered her one-vocal which was not sung by Eva's character, and that was "Another Suitcase in Another Hall".[ contradictory ] [3] [4]

Music limerick [ edit ]

A man wearing a grey suit sitting with his hands closed

An old man outside

Dickson recalled that during the recording sessions, Webber asked her to sing in a higher range than her usual, since the "mistress" grapheme was a teenager, and should have sounded younger. [three] Before the sequence of the eviction of the mistress occurs in Human activity I of the musical, Eva's character sings the song "Hello and good day" and and then "Another Suitcase in Some other Hall" begins. A soft strummed guitar in cleaved chord patterns heralds the introductory music. Dickson sings the opening verse, and the chorus which is repeated twice as she asks, "So, what happens at present?" and wonders near her immediate future, ultimately concluding that she would survive. [five] For the 2d verse, the lyrics reflect on this recurring pattern of existence evicted out of men'south lives, and the concluding verses take a more positive outlook toward's the subject field's life. The song finishes with the mistress request the question, "Where am I going to?" as a male person voice pacifies by saying, "Don't inquire, anymore". [5] In 2004, author Rikky Rooksby released the volume, The Complete Guide to the Music of Madonna, where he wrote his thoughts near the popularity of the vocal:

Eva is the eye of attention [in the song] but the lyric does not allow a transfer of pregnant outside of the context of her story. Role of the vocal's popularity lies in the fashion information technology finds an image—the suitcase in the hall—to express the nomadic nature of modern civilization, the feeling of urban rootlessness that many people feel. The theme of constant moving strikes a resonant note. [6]

"Another Suitcase in Another Hall" features instrumentation from guitar, marimba, harp and keyboard, with Dickson singing in a soprano voice. Author Marking Ross Clark noted in his volume, The Broadway Song: A Singer'due south Guide, that her vocals portrayed different kind of emotions. Her vocals dissimilarity the lyrics with an "underlying coolness". [5]

Release and reception [ edit ]

After the outset single from the Evita album, "Don't Cry for Me Argentina", achieved commercial success, "Another Suitcase in Another Hall" was released as the second single on 7 February 1977. [3] A reviewer from Tune Maker complimented the song, saying that without the context of Evita, the vocal was more adequate and was "poignant and lovely. How lucky Lloyd Webber and Rice are to have Julie Covington and now Dickson, to add the flesh and bones to songs which might otherwise be wrecks of soppy melodrama. A blast hit." [7] It was Dickson's second unmarried to chart on the UK Singles Chart, following "Answer Me" in 1976, and entered the nautical chart at number 44 in its kickoff calendar week and peaked at number 18 in its fifth week. It was present for a total of seven weeks on the chart. [viii] [9]

Due to the high-pitch employed in the recording, Dickson reflected in later years that she "never liked the original [rail] for that reason. The song has seasoned over the years with my singing of it." [3] Dickson believed that she did not audio similar herself on the song. While performing information technology later point of time on her concerts, Dickson sang it in her actual tone, maxim that although the track "might accept been written for a teenage girl, but the experience of being abandoned by a human is ane, women of all ages can relate to. I think y'all have to be honest with songs and with yourself." The singer's music director Ian Lynn arranged the rail differently which she performs currently. [10]

Rails listing [ edit ]

  1. "Another Suitcase in Another Hall" (Album version) – three:00
  2. "Requiem For Evita" (Choir and London Philharmonic Orchestra) – 3:05

Personnel [ edit ]

Credits adapted from the single's liner notes. [12]

Charts [ edit ]

Madonna version [ edit ]

"Another Suitcase in Another Hall"
Another Suitcase in Another Hall Madonna.png
Single by Madonna
from the album Evita
B-side "Don't Cry for Me Argentine republic"
Released xviii March 1997
Recorded 1995
Genre Pop
Length 3:32
Characterization Warner Bros.
Songwriter(s)
  • Tim Rice
  • Andrew Lloyd Webber
Producer(s)
Madonna singles chronology
"Don't Weep for Me Argentina"
(1996) 		"Another Suitcase in Another Hall"
(1997) 		"Frozen"
(1998)

Background and evolution [ edit ]

In 1996, Madonna starred in the motion picture adaptation of the musical, titled Evita , playing the part of Eva; she had desired to play the part for a long fourth dimension and fifty-fifty wrote to director Alan Parker, explaining how she would exist perfect for the function. [thirteen] After securing the role, she underwent vocal training with coach Joan Lader since Evita required the actors to sing their own parts. Lader noted that the vocalist "had to use her voice in a way she'southward never used it before. Evita is real musical theater — its operatic, in a sense. Madonna developed an upper register that she didn't know she had." [fourteen] [fifteen] Unlike the musical, in the film the song is performed by Eva afterward ending her relationship with Agustín Magaldi, deciding she wants to amend her life. [two] The song was not promoted and only a video was created using footage and scenes from the film. [sixteen]

Recording and composition [ edit ]

Recording sessions for the film's songs and soundtrack began in September 1995, and took place at the CTS Studios in London with Madonna accompanied by co-actors Antonio Banderas and Jonathan Pryce. However, trouble arose as Madonna was not comfy with laying down a "guide song" simultaneously with an 84 piece orchestra inside the studio. She was used to singing over a pre-recorded runway and not have musicians listen to her. Also, different her previous soundtrack releases, she had piffling to no control over the project. [17] An emergency meeting was held betwixt Parker, Webber and Madonna where it was decided that the singer would tape her office in a more gimmicky studio while the orchestration would take place somewhere else. She also had alternate days off from the recording. [18]

Madonna'southward version of the song begins with the same soft strummed guitar in broken chords. [five] Madonna sings in a breathy voice, giving her character more vulnerability. [vi] [xix] The first song entrance leads into an engaging melody with the opening phrase, "so what happens now?", being repeated twice. [5] According to the sheet music published by Musicnotes.com, the vocal is set in common fourth dimension, with a slow tempo of 50 beats per minute. It is equanimous in the central of C ♭ major, with Madonna's vocals spanning from A3 to E ♭ 5 . The song has a sequence of C ♭ –F ♭ when Madonna sings the opening verse "I don't look my honey diplomacy to last for long". [xx]

Release and reception [ edit ]

The song was officially released every bit the soundtrack's third single on eighteen March 1997 in Europe. [21] Originally, there were talks about releasing an Evita EP, containing remixed versions of "Buenos Aires", "Don't Cry for Me Argentina" and "Another Suitcase in Another Hall", simply it did not materialize. [22] In the United Kingdom, the vocal peaked at number 7 on the Great britain Singles Chart, the calendar week of 29 March 1997, and was present on the superlative 100 for a total of 8 weeks. [23] According to the Official Charts Company, the single had sold 75,233 copies in the U.k. as of August 2008. [24] The vocal likewise reached a summit of number 23 on the Irish Singles Chart, where it remained for 3 weeks. [25] Elsewhere, information technology had a relatively poor nautical chart performance; in Sweden it peaked at number lx, while in holland it peaked at number 91. [26] [27] "Another Suitcase in Another Hall" was Madonna's get-go single released in Australia to miss the ARIA top 100. [28]

AllMusic'south Jose F. Promis, wrote that "the song finds Madonna giving an understated and inspired performance [...] One hopes that this overlooked precious stone might find its way onto future [Madonna] hits collections, because it is truly a wonderful song". [29] Writer Thomas S. Hischak chosen information technology "plaintive". [thirty] Billboard 's Geoff Burpee called it "A sterling, intimate moment from the Evita soundtrack. Aye kids, she can sing". [31] Writing for the Los Angeles Times , David Gritten opined Madonna's vox sounded "pitch-perfect and articulate as a bell". [32] Greg Morago, from the Hartford Courant , felt that "By giving her 'Some other Suitcase' with its heartbreaking 'Where am I going to?' refrain, Madonna adds a necessary, fragile vulnerability to her aggressive, rags- to-riches Eva Peron". [33] Neil Strauss from The Herald Periodical , said that "Madonna radiates on 'Another Suitcase in Some other Hall'". [34]

Peter Keough, from the Boston Phoenix , described the track as "a poignant, winsome exploration of pathos, defilement, and resolution sung by a young, struggling Eva forced into prostitution with a series of drab johns". [35] The Guardian 's Jude Rogers wrote that "Madonna'southward wavering vocal goes full collywobbles"; placing the track at number 69 on her ranking of the vocalizer's singles, in honor of her 60th birthday. [36] Finally, Billboard picked it every bit the vocalist's 98th greatest unmarried; "the delicate limerick and high-register vocal brand this exquisite breakup ballad a rare moment of true fragility in Madonna's catalog". [37] Slant Magazine 's Paul Schrodt placed information technology at number 77 in his ranking of the vocaliser'south singles, calling it "a sleepy travelogue ready to schmaltzy audio-visual guitar and saxophone and a male person chorus echoing Eva Perón'due south —and past extension Madonna'south— self-pitying complaints about moving from ane place to another. Political and psychological nuance, meanwhile, are nowhere in sight". [38]

Rails listing and formats [ edit ]

Charts [ edit ]

Other versions [ edit ]

English singer Elaine Paige recorded the vocal for her 1983 album Stages . [43] Sarah Brightman, who was married to Webber from 1984 to 1990, included the song on her anthology The Andrew Lloyd Webber Drove . [44] Marti Webb's version of the vocal was included in the 1995 anthology Music & Songs From Evita. [45] English musician Hank Marvin included an instrumental version of the song on his 1997 tribute album Hank Marvin and the Shadows Play the Music of Andrew Lloyd Webber and Tim Rice. [46] Kimberley Walsh, from British girl grouping Girls Aloud, covered the song for her debut studio anthology Middle Stage (2013). [47] Vocaliser Hayley Westenra included the song on her 2000 album Walking in the Air. [48] On the tribute show Andrew Lloyd Webber: 40 Musical Years, the vocal was performed by actress Samantha Barks. [49] British singer Sophie Ellis-Bextor performed the track along the BBC Concert Orchestra on Rice's homage Tim Rice: An Evening In Song on July eight, 2014. [fifty]

References [ edit ]

Citations [ edit ]

  1. ^ a b c Clark 2015, p. 53
  2. ^ a b Patinkin 2008, p. 452
  3. ^ a b c d e Clark 2015, p. 54
  4. ^ Rice 2012, p. 25
  5. ^ a b c d eastward Clark 2015, p. 51
  6. ^ a b Rooksby 2004, p. fourscore
  7. ^ "The Year Queen Lizzy Shook America". Melody Maker : 43. 12 February 1977. ISSN0025-9012.
  8. ^ a b "Official Singles Chart Top 100". Official Charts Visitor. Retrieved July 9, 2015.
  9. ^ Lester, Paul (three Jan 2015). "Whatever happened to actress and vocalizer Barbara Dickson?". Daily Express . Retrieved 6 July 2015.
  10. ^ Dickson 2012, p. 108
  11. ^ Another Suitcase in Another Hall (7" single liner notes). Barbara Dickson. MCA Records. 1977. 4C 006-98809. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  12. ^ a b Another Suitcase in Another Hall (7" Visitor Sleeve liner notes). Barbara Dickson. MCA Records. 1977. MCA 266. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  13. ^ Michael 2004, p. 67
  14. ^ Taraborrelli 2008, p. 260
  15. ^ Ciccone, Madonna (November 1996). "The Madonna Diaries". Vanity Off-white . Advance Publications: 174–188. ISSN0733-8899.
  16. ^ Morton 2002, p. 408
  17. ^ Taraborrelli 2008, p. 261
  18. ^ Taraborrelli 2008, p. 262
  19. ^ Staff (14 November 1996). "New Madonna Becomes Evita". Bangor Daily News . 108 (129): 36. Retrieved 6 July 2015.
  20. ^ "'Another Suitcase in Some other Hall' Madonna: Digital Sheet Music". Musicnotes.com. Universal Music Publishing Group . Retrieved 6 July 2015.
  21. ^ a b Another Suitcase in Another Hall (vii" CD single liner notes). Madonna. Warner Bros. Records. 1997. 9362438532. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  22. ^ Taylor, Chuck (25 January 1997). "'Miami Mix' makes people cry out for unmarried release of Madonna's 'Argentine republic'". Billboard. 109 (iv): 100. Retrieved half dozen July 2015.
  23. ^ a b "Official Singles Chart Top 100". Official Charts Company. Retrieved July ix, 2015.
  24. ^ Jones, Alan (nineteen August 2008). "The Immaculate Guide to 50 Years of Madonna". Music Calendar week . Archived from the original on xi September 2008. Retrieved half dozen July 2015.
  25. ^ a b "The Irish Charts – Search Results – Another Suitcase in Another Hall". Irish Singles Nautical chart. Retrieved July 9, 2015.
  26. ^ a b "Madonna – Some other Suitcase in Another Hall" (in Dutch). Unmarried Top 100. Retrieved July 9, 2015.
  27. ^ a b "Madonna – Another Suitcase in Some other Hall". Singles Top 100. Retrieved July 9, 2015.
  28. ^ Ryan, Gavin (2011). Commonwealth of australia's Music Charts 1988–2010. Mt. Martha, VIC, Australia: Moonlight Publishing.
  29. ^ Promis, Jose F. (17 June 1997). "Madonna > Another Suitcase in Another Hall". AllMusic . Retrieved 6 July 2015.
  30. ^ Hischak 2008, p. 228
  31. ^ Burpee, Geoff (18 December 1996). "Critic's Poll". Billboard . 108 (52): 46. Retrieved six July 2015.
  32. ^ Gritten, David (iv May 1996). "'She'll Surprise a Lot of People'". Los Angeles Times . Retrieved 6 July 2015.
  33. ^ Morago, Greg (xiv November 1996). "Album Review – Motion Moving-picture show Soundtrack – Evita". Hartford Courant . Retrieved 6 July 2015.
  34. ^ Strauss, Neil (28 November 1996). "Soundtracks among top vacation recordings". The Herald Journal . 151 (333): 42. Retrieved half-dozen July 2015.
  35. ^ Keough, Peter (2 January 1997). "Evita bludgeons, merely seduces". Boston Phoenix . Phoenix Media/Communications Grouping. Archived from the original on 4 March 2016. Retrieved 13 January 2016.
  36. ^ Rogers, Jude (16 August 2018). "Every 1 of Madonna's 78 singles – ranked!". The Guardian . Retrieved 26 August 2018.
  37. ^ "The 100 Greatest Madonna Songs: Critics' Picks". Billboard. xv August 2018. Retrieved 25 Nov 2018.
  38. ^ Schrodt, Paul (one Baronial 2018). "The Beat Goes On: Every Madonna Single Ranked". Slant Magazine . Retrieved 14 May 2019.
  39. ^ Another Suitcase in Another Hall (7" Jewel Edition liner notes). Madonna. Warner Bros. Records. 1997. W 0388 CDDJ. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  40. ^ Another Suitcase in Another Hall (7" Cassette unmarried liner notes). Madonna. Warner Bros. Records. 1997. 9362 43847-2, WO388CD. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  41. ^ "Madonna – Another Suitcase in Another Hall" (in French). Ultratip. Retrieved July nine, 2015.
  42. ^ "Eurochart Hot 100 Singles" (PDF). Music & Media. 12 April 1997. p. 13. Retrieved vii November 2016.
  43. ^ "Elaine Page > Stages". AllMusic. 1983. Retrieved six July 2015.
  44. ^ "Sarah Brightman — The Andrew Lloyd Webber Collection" . Retrieved 6 July 2015.
  45. ^ "Music & Songs From Evita — Marti Webb" . Retrieved 6 July 2015.
  46. ^ "Hank Marvin > Hank Marvin and the Shadows Play the Music of Andrew Lloyd Webber and Tim Rice". AllMusic. 1997. Retrieved half dozen July 2015.
  47. ^ "Kimberley Walsh — Eye Stage". iTunes Store. ane January 2013. Retrieved half dozen July 2015.
  48. ^ "Hayley Westenra French republic — Walking in the Air". Hayley Westenra Official Website. Archived from the original on one September 2018. Retrieved 6 July 2015.
  49. ^ Guioia, Michael (3 April 2013). "The Screening Room: Sierra Boggess, Samantha Barks, Heather Headley Celebrate Andrew Lloyd Webber in New TV Concert (Video)". Playbill . Retrieved 6 July 2015.
  50. ^ Kyriazis, Stefan (10 July 2014). "REVIEW: Roger Daltrey, Gemma Arterton and Sophie Ellis-Bextor perform at Tim Rice gala". Express. Retrieved 22 June 2019.

Print sources [ edit ]

External links [ edit ]

Barbara Dickson Another Suitcase in Another Hall

Posted by: richardspenit1966.blogspot.com

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